Most of us can agree on certain vaguely defined elements of fiction like character, plot, setting, and style. Other storytelling aspects happily enter discussions with more or less neutral, conventional meanings, like theme, narrative viewpoint, scene structure, symbolism, and so forth. These categories exist to make meaningful communication possible. You want folks to understand you when you complain about how a confusing setting and nonspecific narrative POV soften a scene’s dramatic punch.
What about worldbuilding? Lincoln Michel over at Electric Lit believes the concept of worldbuilding in fiction is counterproductive.* Continue reading “Who’s Afraid of Worldbuilding?”