A few months ago, Open Culture posted a couple videos of Nirvana and Radiohead songs that have been modified by a digital tinkerer named Oleg Berg. I was particularly curious about the “Creep” one.
What interests the author of the article (Josh Jones) is that Berg has reversed the modes of these songs. The Nirvana tune used to be minor. Now it’s major. The Radiohead tune used to be major. Now it’s minor.
Fun fact: the whole band giggles whenever Jonny tries to roller-skate.
After Jones observes that the original minor key of “Smells Like Teen Spirit” is “an essential vehicle” for its anxiety and rage, he notes that the Radiohead song does something a little more complicated. Continue reading “Interesting ruination of Radiohead’s “Creep””
A rare political-ish post.
The topic is Zionism versus “intersectional” feminism (thanks Wonder Woman), and the way that hashes out in bizarre articles like this one.
A juicy summarizing quote: “It’s an open question about whether it’s possible to support Zionism while also proposing useful iterations of feminism and racial justice.” The author’s answer from the beginning is “nope,” by the way. No explanation required.
You can tell he’s smart because he points to books.
I grok the idea of opposing injustice toward disenfranchised groups like Palestinians (because duh), and I get supporting a two-state solution (because duh). What I want to know is, apart from the social justice angle, what do people mean by their polemical use of the word “Zionist“? Are they referring to all-or-nothing single-state partisans? If that’s the case, then they’re simply conflating “Zionist” with “zealot” without taking present or historical reality into account. That comes across to me as a pale leftist imitation of Trump’s methods. Or is there something else going on that I’m missing? Continue reading “Zionism contra feminism?”